Κεραμική από την Κίνα | Ceramics from China

Για πρώτη φορά ύστερα από 35 χρόνια, το Μουσείο Μπενάκη παρουσιάζει στο ελληνικό και διεθνές κοινό επιλογή αριστουργημάτων κινεζικής κεραμικής από τη συλλογή του. Ενενήντα μοναδικά αντικείμενα από την ιστορικής σημασίας συλλογή του Γεώργιου Ευμορφόπουλου που δωρήθηκε στο Μουσείο Μπενάκη τη δεκαετία του 1930, ανιχνεύουν την παγκόσμια προσφορά του κινεζικού πολιτισμού, φωτίζουν την ιστορία των επαφών της Κίνας με τη Δύση και αναδεικνύουν το όραμα του δωρητή και τους δεσμούς του με την Ελλάδα. Η ιστορική αφήγηση επικεντρώνεται στην αυτοκρατορική Κίνα, εξετάζοντας τις εξελίξεις στην κοινωνία, την οικονομία και την τέχνη από τη δυναστεία Χαν (3ος αι. π.Χ.–3ος αι. μ.Χ.) ως την τελευταία δυναστεία Τσινγκ (17ος–20ός αι. μ.Χ.). Ειδώλια και ομοιώματα της δυναστείας Τανγκ (7ος–10ος αι. μ.Χ.) ζωντανεύουν την καθημερινότητα και το υπερβατικό σύμπαν της πρώιμης Κίνας. Η αισθητική των κεραμικών της δυναστείας Σονγκ (11ος–13ος αι. μ.Χ.) τα κατέστησε πρότυπα για επαΐοντες στην Κίνα και καλλιτέχνες στην Ευρώπη του 20ού αι.

Συντήρηση έργων: Σοφία Τοσίου. Τοποθέτηση αντικειμένων: Β. Αργυράτος, Ε. Γκούφα, Ν. Σμυρνάκης, Σ. Τοσίου.

For the first time in 35 years, the Benaki Museum presents to the Greek and international public highlights from its collection of Chinese ceramics. Ninety masterpieces of ceramic art from the historical collection of George Eumorfopoulos, donated to the Benaki Museum in the 1930s, testify to the global impact of Chinese civilisation, shed light on the course of contact between China and the West through art, and attest to the vision of the collector and his ties with Greece. The narrative focuses on Imperial China, exploring developments in society, economy and art from the Han dynasty (3rd c. BCE–3rd c. CE) to the last dynasty of the Qing (17th–20th c. CE).
Tang figures and models (7th–10th c. CE) animate everyday life and the transcendental universe of early China. The aesthetics of Song wares (11th–13th c. CE) set the standard for connoisseurs in China and artists in 20th century Europe alike.

Conservation: S. Tossiou. Installation: Argyratos, E. Gkoufa, N. Smyrnakis, S. Tossiou.

http://www.benaki.gr/index.asp?id=202010001&sid=1958&cat=0&lang=en

Ceramics China 01 Ceramics China 02 Ceramics China 04 Ceramics China 05 Ceramics China 06

 

Accelerated Ageing of Acrylic, Cyclohexanone-Based and Urea-Aldehyde Polymers Used in Paintings Conservation

Farmakalidis H.V., Douvas, A.M. Karatasios, I. Sotiropoulou S., Boyatzis S., Argitis P., Chryssoulakis Y., Kilikoglou V. Accelerated Ageing of Acrylic, Cyclohexanone-Based and Urea-Aldehyde Polymers Used in Paintings Conservation. International Symposium on  Archaeometry (ISA), 15 – 21 May 2016, Kalamata, Greece.

Natural resins have been used for centuries as varnishes on painted artifacts. During the 1950’s, synthetic polymers were introduced in paintings conservation due to their superior resistance to degradation, while presenting optical properties comparable to those of traditionally used natural resins. However, after prolonged service times, these polymers also undergo deterioration. The objective of this research is to assess the durability and workability of four commonly used polymers after accelerated ageing, in order to finally estimate their service life using a combination of analytical techniques. Among the polymers which are commonly used in paintings conservation, Paraloid B72, Primal AC33 (both acrylic resins), Ketone Resin N (a cyclohexanone-based resin) and Laropal A81 (a urea-aldehyde resin) were selected for this study. Accelerated ageing parameters involved relatively high temperature levels, daylight radiation and high humidity levels. An analytical methodology was established aiming at the study of molecular changes in the artificially aged materials in the form of films (using FT-IR and UV-Vis spectroscopy), and the impact of these changes on their film surface morphology (Scanning Electron Microscopy, SEM), on their solubility (solubility and swelling tests) and on colour changes (spectro-colorimetry). The results provided information on the polymers’ degradation mechanisms and their possible products as a result of accelarated ageing. More specifically, the two acrylic polymers and the aldehyde resin were found highly stable with regard to their molecular condition, as compared to the cyclohexanone-based polymer, while all four polymers displayed changes in their colour and film thickness. Morphological examination with SEM revealed features (such as cracking) on the polymer films, which significantly limit their use under unstable environmental conditions. Furthermore, the role of common inorganic additives (such as TiO2) in the commercially available materials was investigated by comparing their performance with the presence and absence of TiO2.

http://isa2016.uop.gr/

Poster ISA 16